By investigating the conflict in the modern Omani narrative discourse, the researcher tries to address the conflicted cultural courses implicit in this discourse and clarify the conflict forms, subjects, and types, such as conflict of courses, identities, genders, positions, and margin, as well as analyzing the discourse and clarifying most remarkable cultural references thereof by using cultural criticism as a method and approach for analyzing the modern discourse of the Omani narration. In this study, the researcher sought to achieve the following objectives: - Trying to find a special feature for the modern Omani discourse and narration using the last novels published in recent years. - Using the latest modern methods of criticism to study the narrative discourse, like cultural criticism. - Clarifying the most remarkable cultural references that produced the modern Omani narrative discourse. - Highlighting the extent of Omani novelists’ awareness of modern social issues, such as identity, gender, position, and margin issues. The study consisted of three chapters as follows: - Chapter One: Conflict of Cultural Courses. - Chapter Two: Conflict of Identities. - Chapter Three: Conflict Positions and Margins. The study came up with some conclusions, the most important of which is that the modern Omani narrative discourse is social, as the Omani novelist addressed the reality of a society trying to represent its conflicts within his narrative structure. In his quest to achieve this objective using the narrative discourse, the novelist included in his narration multiple implicit, contradicted, and conflicted courses. The novelist also mastered the process of narration, placement, and highlighting the narrations of position and margin.