This study aims to shed light on the substantive and technical image to the poetry of the stimulation in Oman in the modern age by following the descriptive and analytical approach to gather information and present it, and then deriving literature which leads to the results and recommendations. In the first chapter, the study deals with the most important intellectual, ideological and political influences in the poetry of stimulating. The statement of the effectiveness of those effects in the formation of the simulative speech in its new image in the age of the study was formed on two levels, and combined by mutual matters which are colonialism and its ugly face, and the call to end its Power and authority. The first level is the level of the mother country (Oman) which shows the role that speech forms an existing conflict between unsatisfied political power, and the intellectual selectors that believe in the urgent need for change and advancement and mobility. The second leve is the Grand National level (the Arab nation) which reflects the speech of victory, sympathy and the call to unity, and also the attention to the Palestinian cause as a major fatal issue. In the second chapter, The study highlights the important ingredients that form the poetry of stimulating, and the extent of the presence of stimulation in different topics in the Arabic poetry, and to seek to find the technical objective links among these components to each other on one hand, and among these components and the stimulation on the other hand. In the last chapter, this study gives importance to study the technical aspects to the poetry of stimulation such as its language and its dictionary, the most important stylistic phenomena and the study of rhythm and its music through the description of its rhythm showing the inner music of the poetry. The conclusion comes to display the results of the study and its recommendations, which were mentioned earlier in this abstract during talking about the chapters of the study above.