The stylist approach first appeared as an individual art with the Greek. The Arab were charmed with it and they imported it from them. Although there is a variety of stylistic studies with many methods but they are all still virgins concerning the Arabian stylism in general and Omani stylism in specific. These studies didn't come from nonexistence but they depended on previous Arabian and western studies. This approach was dealt with by many researchers either theoretically and practically. The study combines the theoretical part with practical one to show some specifications of the style of Suleiman bin Suleiman Al-Nabhani's poetry especially that his poetry includes applicable contents. The methodology of the research required dividing the study into four chapters. The first was a practical and theoretical chapter in which we dealt with the differences between rime and rhythm. We searched for the rimes used by " Al- Nabhani", the ones he didn't use and the reason for that. We also dealt with the internal harmony in Al-Nabhani's" poetry. The relation between rime and meaning. We studied the rhyme, its kinds and its rythmatic effect in Al- Nabhani's poetry. The second chapter also came theoretical and practical. We divided it into two chapters which are the strange language and the lexical fields that are most commonly used in poems of Al-Nabhani's divan. In the third chapter we dealt with the formation in "Al-Nabhani's" poetry throughout four axis which are : the kind of used sentences (verbal or nominal). the formation type weather prepositional or structural. the attribution. the presentment and postponement. In the fourth chapter we dealt with "Al-Nabhani's" figures of (simile and metaphor).