This study aims at studying the narrow place in nine novels of Hanna Mina: Sail and Storm, The snow comes from the window, Photos remnants, Quagmire, Harvest, Spring and Autumn, The end of a brave man, Beggars, A struggle of two women. That is because of the major role that place has held in the work of fiction in general and the narrow place in the novels of Hanna Mina in particular. Therefore, the study attempted to reveal this role and place impact and how it is affected with the rest of structural elements which contribute with its integration in forming the content and events flow. The study is divided in to three chapters. The first chapter deal with the theoretical side that contain the study of the components of narrative work and the concept of place. Then, the practical side in chapter II (2) of the study deals with the semantic analysis of narrow place highlighting its aesthetics. In chapter III (3) the study sheds the light on (deals with) the narrative of the narrow place through revealing the elements (Time, Character, Language). In addition, the study will deal with this type of place according to the hermeneutical method in revealing technical and aesthetic aspects which the place reflected (added) on the narrative structural through shedding the light on the images which from the three places, the object of the study, (House, Café, Prison) and their impact on the work, because of the aesthetics it has. Language has a great role in forming these aesthetics which shows the writer's ability to convey the image that forms the content. The study ends at revealing the results which show the importance of the narrow place and its active role in the composition of work as a focus that events stem of it or end at it, and the owner of an authority that he imposes on the characters.