The constructive idea of the overall composition relies on the plastic and aesthetic formulation of photographic snapshots and processing with computer technologies to re-present them by merging with flat printed acrylic treatments of various levels and shapes so that it becomes flat for a wall painting, and extended to be seen from both sides. The space is the shape of the fixed and extended rectangle only. Rather, the researcher tends to raise the problem of containing the void and the scenes within the work through the use of streamlined and refractive organic sectors and partitions with transparent acrylic material, so that it is suitable for application in important civilized places with daily human and social interaction, such as airports, conference halls, local and international meeting halls, and universities. . The research presents the possibility of rephrasing the event by taking advantage of the art of photography based on a quick snapshot of the event through digital photomontage technology, which relies on some various snapshots, which spread as a remarkable phenomenon accompanying the rapid transmission of changing events from all fields, which illustrates the nature of the similarity and difference of events. revolutionary. The study is concerned with dealing with the photographic snapshots circulating on the Internet that were associated with the Egyptian revolution of January 25, 2011 and the subsequent events until the time of conducting the research.