. This research concentrates on the handling of the poet, Saqr. Bin Sultan Al Qasmi's experience (1920 - 1993) in the world of poetry, not only in the UAE states, but in the whole Arab gulf area, in critical and analytical views, due to the fact that such experience has its own role in the formation of the pioneer headlines and defining of the gulf poetry in the grand Arab world at times when such area was living different political, social and cultural atmospheres that led to an eye-closing in regard to various outputs of the area pioneers at that time. To verify the target to which the study plot has been built, I structured my study plan on basis that go parallel with the critical curricula and the mechanism of handling the poetical phrases which I have put in an introductory plus three parts and a conclusion. At the introduction there has been a say for the motive that drove Saqr, the poet to be chosen, his importance and the factors that encouraged me for that choice plus the methodology of research. I have also dealt with pointing out to the resources from which the research condensed its materials from In the first chapter I wrote about his life and culture. I concentrated on the more prominent stations in the poet's life. I expressed the main resources on which Al-Qasmi's culture was built from an Islamic, historical and literal sources. His poetry experience was rich in handling from the modern and ancient Arab poetry. The study and analysis showed that Al-Qasmi had been greatly affected by the erotic poetry at all different eras. He also was deeply affected by Sufi and emigrant poets, in addition to the romantic style, which he handled in his life as a poetic route. In the second chapter, which included the study of the poetic implications, the researcher introduced the study from three phases, first of which did his national cares and views induce the national poetry. The second: The women views where she studied the meanings in which he formed up the woman views. Thirdly: nature as his poetry included such founded and statuary elements in place of variation and loss. In our view, Al-Qasmi's poetic quern rotates within these triangular sides which are framed by love and affection. The last chapter was for the technical study being represented in four axes being as follows: the poetic image, the stylistic phenomena, the poetic urges, and the music of poetry. The study came to reflect that the poet was able to identify the image from which started that being transferred from the inherited cultures, and that being created from the truth and origins of life. The study clearly expressed the beauty and tenderness of the language, from one side, its indignation and discontent from another side, through a high stylus writings being employed by the poet. The study also presented some of the poetic needs to which our poet had referred, the form of poetry he performed, depending in most of his poems on the Khalili's course of poetry. In the conclusion, the researcher pointed out to the dominant results being concluded by her study to the poet Saqr Bin Sultan Al Qasmi. That was followed by a list of publication sources and references.