Dystopia represents the idea of the corrupt city, a theme formed in the structure of Saadallah Wannous's theater (1941_1997). Started in 1961 with a play " Life never" and ended in 1997 with a play "Drunken Nights". Wannous's Theater has dealt with issues of politics, society and thought. Shedding light on the citizen's concerns and suffering. By introducing revolutionary, renewed concepts that form the text structure, through various and rich conscious "themes", that proves an intellectual with a special thought, when looking at the idea of authority. The research aims, through two complementary procedures, at: First, an extrapolation of Wannous's theatre themes. Alongside the same procedure, the second - in the world theater, especially in texts that are the origins of the literary genre, and all the dystopian representations they carry according to the comparative thematic approach. Therefore, we are aware not only of the size of influence, or the intensity of intellectual exchanges, and parallels, but by reviewing direct critical interpretation of literary texts away from the conscious intentions of the authors, or even the researcher. This is what the thematic vision assumes.