English abstract
This thesis is concerned with reading the mental mechanisms used by
the reader while reading any literary work, And focus on the
psychological aspects of the senses and attention to come cognition
crucial to all that process, And ending them by recalling memory, by
invoking previous knowledge and experience, to build perceptions
and representations of the reader, All of this was done by reading the
Diwan of Tarfa ibn al-Wardah by Qasim Haddad, By taking a
cognitive poetics approach, we trace through its tools of (prototype,
representations, worlds of text, possible worlds and mental
silverware). We have started from the problem of what mechanisms
follow the mind in the processing of information? We came out with
the result that the senses are the first threshold of perception, And
that Qasim Haddad has narrowed himself by recognizing the
stereotypical image of Tarfah Ibn Al-Abid, he shaved in the death of
death, lethargy and bitterness did not exceed, We also noted that
Qasim Haddad was not interested in changing the features of history,
But criticizing the character of his twinkling and literature and
collecting what historians and critics wrote about him, in a neutral
manner
