This study discusses the popular "ironic styles in Ahmed Matar's literature" in light of the stylistic method, stylistic collection of denominating methods of his irony. We have investigated irony since it is considered as a distinctive stylistic feature of his literature. Moreover, our applied work focuses on triangulation method that is represented by collector of entertainment and fun methods, collector of resistance and response methods, and a collector of condemns and repairs. The aim of using all the three methods was to interconnect between the dispersion of the sub branches methods in the blog. Our research directed us within Ahmed Matar's literature to read his texts and re-glare them not only to what ideas and visions they contained but also what they embraced by innovative ideas in his irony. As we saw from the analysis, the irony /cynicism is growing in the literary texts that has more quality in writings, therefore, having them in the texts is a milestone on its quality and amount of its innate nature in creativity. This is a funny thing that we got after analyzing different texts and it was settled in our minds that there are texts, which are organized according to a very fine thread, which is the irony thread. It works in the text in a hidden frank way at the same time. To add more, the irony opened a way to laughter and humor through fun and entertainment styles, they are ways to express thinker poets' tragedy and the human poet in portraying his main poetic concern as it is a connected worry via its psychological crisis that poet's live in the reality of his deteriorated values. We found that the image occupied the cornerstone of the poetic universe in the poet's irony as it is rooted in it as a holistic image and an extended image that extends from this other partial images, thus, generated Ahmed Matar poems' visions which are focused on the distortion of the being and morality image of a person. This is to extract from experimental resources that are connected to the animated nature and static nature. This image was charged by emotional power. So it puts the receiver in front of art painting that ensures that the interpolating comic style is a distinguished and unique in his literature. Thus, Matar journeyed in the details of face and body details as well as the psychological conditions in most of the statement style. That consists of sound, movement and imagination. As he was fluent in applying these methods and connecting them in between along with the words inside his poems worry and his desire of distortion to beauty. One of the most important findings in our study is that the term "remark" is a new term in the Arabic literature as it forms a unique poetic experience that Ahmed Matar's poems embraced. Therefore, it was a milestone and a specific feature in his poems. What makes it more special is that it takes a symbolic pattern in drawing and writing. It increases more as it makes remarks within other remarks. Hence, he formulates a simple poem in another one and at the same time preserving the first and maintaining its independence and completion. At the same time, the first poem still need the second one because it looses its meaning if it was removed. Matar's conclusion took care of his ending remarks, so he makes them increase the glare and lighting that stuns the reader and breaks the expectation. Furthermore, our study added petty writings and they really changed the writing route in his exile and sickness, a change that made him to truce with himself for the purpose of entertainment and fun, and to reduce the resistance and response with the availability of targeted criticism obsession that leads to amendment and righteousness. This stylistic study corrected our minds a couple of provisions by the irony of Matar in the level of their structure and their meanings. Hence, revealed to us incapacity to somehow understand the beauty because it lies in the depths of ugliness. Our hard study in Matar's irony got us to a poet who made himself a way that takes measures of applicants and adds to the speakers, an addition of his art, soul and mind something special to Matar, that we tried to learn something from him.