The current study aims to touch upon the Attributive Relations in al Sitali's Poetry with its both forms: the Original, (which is based on the common origins of language) and the Deviated form, (which deviates from the origins of language). It attempts to reveal the semantic and aesthetic dimensions of the original and deviated structures in the literature work in order to define the extent of cooperation between those dimensions in creating an integrated artistic literary text. The study resulted in 4 chapters preceded by a brief introduction about al Sitali and his Divan. I have devoted the first chapter to the theoretical aspects of the study and the rest of the chapters were allocated to practical side of it, as follows: -The First Chapter: it is based on 3 subjects. The first subject touches upon the structure, definition and the main issues related to the Attributive Relations. The second one discusses the Grammar Relations and their various types. The third subjects touches on Attribution and its issues. The Second Chapter: it discusses the Original Attributive Relations in al Sital's poetry. It is of two subjects. The first one touches upon the Structure of the Original Attributive Relations in his praises; the second one discusses the Original Attributive Structure in his other poetic purposes. The variety of the studied poems was not put randomly; they were purposely selected to know whether the poetic form has dominated the poet in utilizing his Attributive Structure with its two types because he is a praising poet, or it was that he is playing with these forms as he pleases. The Third Chapter: it includes the Compositional Deviation in al Sitali's poetry, which is represented in advancing and deferring the nominal and verbal composition; deleting the "predicate and ascribed to" in the nominal attributive composition; deleting the "predicate" and "ascribed to" together in the verbal attributive composition; concealing in its two cases: obligatory and permitted; and separating in the both nominal and verbal composition. The Forth Chapter : the first subject touches upon the most important phenomena of the Semantic Deviation in al Sital's poetry, which are represented by the Imagery (With its various types: detailed (mofassal), eloquent (baleeg), Precise (mujmal), consigned (mursal) and assimilatory (tamthili)); the second one touches on the implied and direct Metaphor; the third one discusses the partial and causative metaphors; and the last subject talks about the 3 types of metonymy: (of an adjective, described and attribution(concluded the chapters of my study with general and partial results obtained from discussing and searching on the main issue and its merits