This study, entitled "Transtextuality in the Storiette of Aziza Al-Tai", examines the poetic dimensions of the Storiette, based on the approach of Gérard Genette in theorizing the poeticity of the literary text, which is represented in the Transtextuality that includes five types of relationships, which are: intertextuality, paratextuality, metatextuality, architextuality and hypertextuality. The study aims to apply those relationships in order to discover the extent of its presence in the Storiette of Aziza Al-Tai, and her role in promoting the poeticity of those stories. The study consists of an introduction, a preface, and four chapters. The introduction deals with the importance of the topic, its goal, and the reasons for choosing it. The preface discusses the terminology of the study, especially the terminology of "Transtextuality" of Gérard Genette, and their translations in Arabic studies to detrmine the translations that the research will adopt. Chapter I examines the intertextuality of the study in the light of the concept of Gérard Genette, in three sections: Literary thefts between Gérard Genette and Arab critics, Quotation and Allusion. Chapter II examines the Paratextualities through three sections: Publisher's Peritext, Authorial Peritext and Public Epitext. Chapter III studies Architextuality. Chapter IV deals with the Hypertextuality through Travest Burlesque and Parody.