Feminist writing, when deconstructed, leads to an understanding of the problematic intersections with masculine writing by exploring the self-versus the other. This intersection establishes a framework that observes the formulation of a visionary view of feminine selfhood, inseparable from societal identity. It aids in understanding the formation of a collective identity by challenging dominant discourse and undermining entrenched societal power in an attempt to preempt thoughts, disrupt meanings, and blur rigid judgments in societal consciousness. This serves as a counteraction to ideas ingrained in discourse, shaping culture. Examining the depths of fictional works by several Omani female writers, characterized by their departure from conventional norms, reveals a rejection of cultural context and a confrontation, to some extent, with a resistant and rebellious context against the established values, beliefs, and fixed assumptions in the societal subconscious. This study focuses on interrogating the narrative discourse that conveyed the voice of women, expressing their struggles, and identifying the challenges faced by feminist writing in Omani society, whether it has replaced dominant discourse with a competing cultural discourse that seizes the reins of expression and power. Based on the foregoing, and employing feminist critique concepts, the study relied on investigating the manifestations of feminist discourse in short stories, focusing on several axes as follows: The first axis: Dealing with the feminist experience in Omani short stories (2012-2021) and the extent of the reception reflections of the term. The second axis: Tracing the features of feminine discourse to understand the artistic phenomena addressed by the narrative texts. The third axis: Revealing the relationship between women and the other gender, and its impact on their paths, negatively and positively. The fourth axis: Investigating identity and observing the techniques possessed by texts in confronting dominant discourse.