The study consists of an introduction, a preface, a theoretical chapter and two practical chapters. In the introduction I dealt with the image in the Al Bahlani 's poetry and a representation of the main reasons that led me to do this study and the methodology and the research plan that I followed. In the preface I talked the importance of Abu Musalam Al Bahlani the poet and the general effects on his personality and his style and finally his impact on Omani poets. In the first theoretical chapter I touched upon the concept of the image with old and contemporary Arab critics. I also dealt with the characteristics of image in classical poetry to give a preview of Al Bahlani 's poetry. In the second chapter (the artistic structure of the image) I dealt with the graphic formats of analogy and metaphor. In addition to the analytical and descriptive method I also followed the statistical method in order to obtain accurate results in the proportion of the use of graphic images in the poetry of Al Bahlani . In the application of the statistical method I used 500 images of various poem topics. In the second section of this chapter I studied the grammatical forms of the image in Al و Bahlani 's poetry which varied between nominal, actual and epithet. The third chapter (the image and the semantic field) is divided into 3 sections. In the first section I talked about the sources of the image in Al Bahlani 's poetry, focusing on the silent and animated nature. In the second section of this study I examined the semantic patterns shift (diagnosis, embodiment, and abstraction). In the third section is about the image and the senses, in which I dealt with the visual, audio, gustatory and olfactory images. I ended this study with a conclusion in which I enumerated the outcomes reached.